“桃李满天下,中国当代艺术导师”——著名书画导师冯健安专题报道

热点时事2024-02-12 16:35:39Belief

序言

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冯健安简介

冯健安,字美溯,艺名书剑,墨苔斋主人,生于1977年7月,广东新会人,本科学历,中共党员,美术教育工作者、优秀书画指导教师。国家一级美术师;全国书画艺术委员会副主席;北京京华阁书画院副院长;北京当代翰墨文化艺术院山东青岛分院名誉副院长;中国楹联学会会员;人民美术艺术家委员;中宣盛世国际书画院院聘画家;中国楹联学会中宣盛世文化艺术交流中心会员;全国名人书画艺术界联合会委员;国臻艺苑书画院院聘理事;中外名人艺术网“特级书画师”;全国中小学书法教学联盟成员;收藏天下全国数字电视频道栏目学术指导与特邀艺术家。

简介及优秀作品入编《心纳万境》、《科教兴国》、《世纪辉煌》、《大家风范》、《奋斗中国人》、《领航中国当代艺术卷》等二十多部书画典籍,同时被邀入千龙网、中国网、央视网、中国新闻网、人民美术网、世界名人书画网、泰晤士报、中国拍卖网等网络报道。被授予“人民艺术家”、“德艺双馨人民艺术家”、“最具收藏价值艺术家”、“二十一世纪中国文化名人”、“中华艺术家形象大使”、“青年杰出艺术家”、“青花杯.中国传统文化最高成就奖”、“中国百位杰出艺术家”、“2022年全国两会新闻艺术家”、“北京冬奥会艺术形象大使”、“新时代杰出艺术家”等荣誉称号。2017年参加心纳万境-首届国展美术名家邀请展;作品在2018年10月15日(美国东部时间)美国纳斯达克证券交易所大屏进行荣誉展播;参加中欧文化交流匈牙利书画邀请展并授予中匈文化艺术传播大使;入选北京地铁《艺脉相承》主题巡展。

Introduction to Feng Jian'an

Feng Jian'an, born in July 1977 in Xinhui, Guangdong Province, with a bachelor's degree, is a member of the Communist Party of China, an art educator, and an excellent calligraphy and painting instructor. National first-class artist; Vice Chairman of the National Calligraphy and Painting Art Committee; Vice President of Beijing Jinghua Pavilion Painting and Calligraphy Academy; Honorary Vice President of Shandong Qingdao Branch of Beijing Contemporary Hanmo Culture and Art Academy; Member of Chinese Couplet Association; Member of the People's Fine Arts Artists Committee; Painter employed by Zhongxuan Shengshi International Calligraphy and Painting Academy; Member of Zhongxuan Shengshi Culture and Art Exchange Center of Chinese Couplet Association; Member of the National Federation of Celebrity Painting and Calligraphy Artists; Appointed director of Guozhen Art Garden Calligraphy and Painting Academy; Chinese and foreign celebrity art network "super calligrapher and painter"; Member of the National Union for Calligraphy Teaching in Primary and Secondary Schools; Collect the academic guidance and invited artists of national digital TV channels.

The introduction and excellent works have been compiled into more than 20 classic books of calligraphy and painting, such as "Heart Brings Vast Boundaries", "Science and Education Revitalizes the Country", "Century Brilliance", "Family Style", "Struggle for Chinese People", "Piloting Chinese Contemporary Art Volume", etc. At the same time, they have been invited to Qianlong, China.com, CCTV, ChinaNews, People's Fine Arts, World Celebrity Calligraphy and Painting, The Times, China Auction, etc. He was awarded "People's Artist", "People's Artist with Both Virtue and Art", "Artist with the Most Collection Value", "21st Century Chinese Cultural Celebrity", "Chinese Artist Image Ambassador", "Young Outstanding Artist", "Blue and White Cup. The Highest Achievement Award of Chinese Traditional Culture", "China's 100 Outstanding Artists", "2022 National Two Sessions News Artist", "Beijing Winter Olympics Art Image Ambassador" "Outstanding Artist in the New Era" and other honorary titles. In 2017, he participated in Xinnawanjing - the First National Exhibition of Famous Artists Invitation Exhibition; The work was exhibited on the big screen of NASDAQ Stock Exchange on October 15, 2018 (US Eastern Time); Attended the Hungarian Calligraphy and Painting Invitation Exhibition for Sino European Cultural Exchange and awarded the Ambassador of Sino Hungarian Culture and Art Communication; It was selected into the theme tour of "Inheritance of Art" of Beijing Metro.

忽然一夜清香发  散作乾坤万里春

——解读艺坛耕耘者冯健安

初读冯健安先生的作品便让人眼前一亮,其作品色彩饱满鲜明、丰筋多骨,细看又可见墨迹氤氲水雾飘渺如梦如幻。把现实之物和心中所想相结合,而并不是以技法刻意笔墨。

冯健安,艺名书剑,现为爱艺网终身顾问;中国民俗协会会员;中华文化研究院艺术顾问;中国国际现代艺术研究中心高级研究员;个人入选中华文化研究院的“中华文化名人堂”,并授予“中华文化名人”的荣誉称号;被中国国际书法、美术家协会聘请为“中华艺术家形象大使”;中国国际现代艺术研究中心授予“青年杰出艺术家”荣誉称号;中国传统美学研究会暨中国名家书画院授予“青花杯.中国传统文化最高成就奖”荣誉;文化部文化艺术交流中心授予2015年度“中国百位杰出艺术家”荣誉称号;任中外名人艺术网“特级书画师”一职;全国名人书画艺术界联合会委员。

冯健安攻书善画。所作梅花,有疏有密或疏密得当,以繁密见胜。枝干交错、蕊萼分枝,主次分明,层次清晰,往往密中有疏,多而不繁。

All of a sudden, the fragrance diffuses all night long

——Interpreting Feng Jian'an, the Artist

When you first read Mr. Feng Jian'an's works, you will be amazed. His works are full of bright colors, rich in tendons and bones. When you look closely, you can see that the ink is dense and the water mist is ethereal and dreamlike. Combine the real things with what you want in your heart, rather than using techniques deliberately.

Feng Jian'an, whose stage name is Shujian, is a lifelong consultant of Aiyi. com; Member of China Folk Custom Association; Art consultant of the Chinese Culture Research Institute; Senior Researcher of China International Modern Art Research Center; Individual was selected into the "Chinese Culture Hall of Fame" of the Chinese Culture Research Institute and awarded the honorary title of "Chinese Culture Celebrity"; Invited by China International Calligraphy and Artists Association as the "Image Ambassador of Chinese Artists"; China International Modern Art Research Center awarded the honorary title of "Young Outstanding Artist"; The Chinese Traditional Aesthetics Research Association and the Chinese Academy of Calligraphy and Painting awarded the "Blue and White Cup, the highest achievement

应物象形 随类赋彩——记著名书画家冯健安

在当代画坛,书画家冯健安的作品是一个独特的存在!他的丹青画法深师古风,但是独有借古开今的主旨经营智慧,古法不古板,笔墨当随时代!他把传统画法磨砺到炉火纯清,善用兼工带写的娴熟技法创作盛世当歌的丹青大格局。把旧式文人画意予把玩的小家子气,尽悉革除,让山水、花鸟、人物作品合成时代精神的镜像,观其画大振心颜,有磅礴之势,也有淋漓之盛,生成了当代新文人画的新面目!   搞好绘画创作,第一要义是把造型问题解决完美。当下,有俗笔作画,笔力不足,造型不精,画出来的东西糊涂一片,法不正宗,技不精湛,却言是“表现主义”。这种不依法度而进行的了草涂抹,把东方审美重视形神兼备的美术原则抛到了九霄云外!弄出来的中国画,仅存其名,绝无其实。反观冯健安先生中国画作品,可以兼工带写,工笔写实,出神入化,精益求精,绝不含糊。写意传神,遂心应手,天质自然,游刃有余。

唯有对东方审美机理有深刻的觉悟,才可以像他这样画山水是山水,画长松是长松,画人物是人物!画出来的作品大有专业品质,并且尽显大众审美魅力,是谓雅俗共赏。陈于庙堂是正大,装饰万家屏障是文化!这正是冯健安先生的绘画作品,在专业层面有影响力,在审美层面有号召力的重要原因!

谢赫论画,言有六法。冯健安作法,六法皆具,无有短板。回顾丹青历史,精其一法者常见常闻,但是像冯建安先生这样六法精通,皆无流弊的能家实属稀有鲜见。所以纵观他的山水作品最有外师造化,中得心源的塑造质量,这就是追求气韵生动的终极高度。在对境造诣的过程中,可以骨法用笔,为山传神立骨。又可以水墨互破,渲染以青绿浅绛,构造一天清淑气,万里碧榆风的唯妙气韵。万里长城秋韵盛,令人心泊山水,可以澄怀清心,大感清风入怀,明月照心的清爽与壮阔,果然深铸中国梦,可以独与天地精神来往!

冯健安先生作花鸟,可以掠物象之体貌,夺物象之精神。画之表是应物象形、随类赋彩的技法铺陈,画之核是物象人格化、画意精神化的凝聚与提炼。风来雨来,胡杨百折不挠。高枝瞻远,雄鹰振翅高飞。紫藤罗瀑,鸡寓吉气。浓墨重彩,浑厚华滋,恰与文化复兴的大势相合,亦与民族崛起的节奏相符,挂起这样的作品在眼前仰观,除了唯美,还有振心悦情的时代精气神。他把花鸟画从文人小雅的旧状态,推陈到盛世当歌的新高度!

应物象形,随类赋彩。冯健安创作现代人物画作品,最有通过丹青传递人文讯息的担当。写实功底很厚,主题意识很强,精于专业塑造,却又很接地气,一幅《留守》图,可以击中人心最柔弱的情感中心,怜与惜凝聚成关注社会现实的大爱。把笔墨指向劳动者,构建丹青里的精神脊梁,可以激发观赏者的斗志盎然。人物画的主题意识、精神价值与花鸟、山水有异曲同工之妙,一并合成他为时代精神写真的功勋!

江上

《盛世当歌》总编室主任

Respecting the Pictography of Objects and Coloring Themselves -- On Feng Jian'an, a Famous Calligrapher and Painter

In the contemporary painting world, the works of Feng Jian'an, a calligrapher and painter, are a unique existence! His painting method is deeply based on the ancient style, but he has unique wisdom based on the theme of opening up the present. The ancient method is not stereotyped, and the pen and ink should follow the times! He honed the traditional painting method to a pure one, and made good use of the skillful techniques of part-time workers to create the grand pattern of singing in a prosperous age. The old style literati paintings have been replaced by a small family. The landscapes, flowers and birds, and people's works have been integrated into the mirror image of the spirit of the times. Seeing their paintings, they have a magnificent momentum and a incisive prosperity, creating a new face of contemporary new literati paintings!  

To do a good job in painting, the first thing is to solve the problem of modeling perfectly. At present, there are common brush strokes, but the strokes are insufficient, the shapes are not refined, and the things painted are confused. The method is not authentic, and the skills are not exquisite, but they are said to be "expressionism". This kind of cursive painting, which is not in accordance with the law, has left the oriental aesthetic principle of attaching importance to both form and spirit out of the sky! The Chinese paintings produced by us have no reality except their names. On the other hand, Mr. Feng Jian'an's Chinese painting works can also be written with meticulous realism. The freehand brushwork is vivid, handy, natural, and skilful.  

Only when we have a deep understanding of the oriental aesthetic mechanism can we paint landscapes as he did, paintings of long pines are long pines, and paintings of people are figures! The works painted are of great professional quality and show the aesthetic charm of the public, which means that both refined and popular taste. Chen Yu's temple is big, and decorating the barrier of thousands of families is culture! This is exactly the important reason why Mr. Feng Jian'an's paintings are influential at the professional level and appealing at the aesthetic level!  

On painting, Sheikh has six ways of saying. Feng Jian'an's method has all six methods, without any shortcomings. Looking back on the history of Danqing, it is common for those who are good at one method to hear about it, but it is rare for those who are proficient in the six methods and have no malpractices, such as Mr. Feng Jian'an. Therefore, throughout his landscape works, he is the most talented person and has the quality of heart source, which is the ultimate height of pursuing vivid charm. In the process of learning about the environment, you can use a pen to create bones for the mountain. You can also use ink and wash to break each other, to render green and light crimson, to create the unique charm of a day's clear and gentle atmosphere and thousands of miles of green elm wind. The autumn charm of the Great Wall is prosperous, which makes people care about the mountains and waters. You can have a clear mind, feel the fresh wind in your mind, and feel the freshness and magnificence of the bright moon shining on your heart. It really casts the Chinese dream, and you can communicate with the spirit of heaven and earth alone!  

As a flower and bird, Mr. Feng Jian'an can capture the physical appearance and spirit of objects. The surface of a painting is the presentation of the techniques of pictorial objects and coloring according to categories. The core of a painting is the condensation and refinement of the personification of objects and images and the spiritualization of painting. When the wind comes and the rain comes, the Populus euphratica will persevere. High branches look far, and eagles fly high. Wisteria vine waterfall and chicken symbolize good luck. Thick and colorful, vigorous and colorful, just in line with the general trend of cultural revival and the rhythm of the rise of the nation. Hanging such works in front of us, we can see that in addition to beauty, there is a spirit of the times that inspires our hearts and minds. He pushed flower and bird painting from the old state of literati's elegance to a new height of being a song in the prosperous times!  

It should be pictographic and colored according to the class. Feng Jian'an's creation of modern figure painting works is the most important way to convey the humanistic message through painting. Realistic skills are very strong, theme awareness is very strong, skilled in professional modeling, but also very grounded. A picture of "staying behind" can hit the most tender emotional center of people's hearts, and pity and pity can be condensed into a great love that focuses on social reality. Pointing the brush and ink to the workers and constructing the spiritual backbone in the painting can stimulate the viewers' morale. The theme consciousness and spiritual value of figure painting are similar to those of flowers, birds and landscapes. Together, he has made contributions to the spirit of the times!

On the river

Director of the Chief Editor's Office of Song in the Prosperity

八骏马

才华泊砚田 书画非凡功

——记著名书画家冯健安

书画谓之同源,这是元代大家赵子昂的论断,由此传统书画文化的正宗传承,就统摄于一体,成为文人修养的主要方式。反观当代艺坛,画家不作书法,书家不谙丹青的现象近乎成为流弊。书画分流而背离,成为书画文化含金量不断衰落的主要原因。人们期望新时代,有真文人,仍旧可以做书画文化的古今永传。幸遇当代著名书画家冯健安先生的作品,心有感叹,传统文人画的正宗品质,代不绝人!冯先生以超脱而深厚的传统文化修养,无论作画还是作书法,都有金绘绵书的上上品位!

他的书法博涉多优,诸书皆有琢磨,尤以放手写心的行草为要妙。在他的笔墨挥纵之下,行草写透线条艺术的真谛,一笔拉过来如虬龙之蜿蜒,一笔纵过去是鸾凤之徘徊。通过提摁顿挫的巧妙组合,把书法线条表现出万千变化的神通。一画之内变起伏于锋梢,一点之间殊衄挫于毫芒。心手双畅,智巧兼优,写得同自然之妙有,非力运所能成!

先生书法功夫上乘,再作丹青,必有以书入画的自如。题材非常广泛,山水、花鸟、人物三大门样样娴熟,在画坛也是一位无所而不能,能之则为上佳的能手。也正是因为冯健安先生作丹青诸门皆通,所以得天下英才而育之,从事美术教育数十年,有学高为师,身正为范的功德。自有画法的高能,再育后辈成才,画而优则教,这便是文化传承的丰富资粮,也是先生在艺术界得享口碑,令人尊重的重要原因。

先生作山水骨法用笔的特征相当明显,笔力鼎健,落笔沉着,依线条对境造意的才华表现特别到位。长线勾勒,一气呵成。短线顿挫,分明有效。无论长线还是短线,皆有严谨细致的组织,绝对不会让一根线条成为散兵游勇。看中国山水品质,首先要看笔法的精湛,在先生的山水作品中挑不出一根线有毛病,也看不到一根线显疲软,笔笔相映写奇峰,笔笔相生画浩莽。皴法多变,擦法和谐,对境造诣,恰可以为山水传神,亦为山水立骨的境界。

水墨层层复沓,积墨到七层八层,甚至十几层,也绝不会一塌胡涂,或是清虚流丽,或是苍润悦目,此法远师范宽,后学龚贤,亦有黄宾虹画法的精湛。山水画者,唯有像冯健安先生这样,依水为纽,作五彩焕神,才是气韵生动的典范。再赋青绿浅绛,或渲染浓墨重彩,在色不碍墨,墨不碍色的铺陈中,为山水构建起上突危峰,下览深谷的宏大空间,外师造化中得心源!

才华泊砚田,书画非凡功。一方砚田一支笔,先生有识水性、识笔性、识墨性、识纸性、识彩性的五识才华,可以作花鸟的惟妙惟肖,亦可以画人物的生动传神。他的花鸟有置物于眼前真实感,但绝不简单的复制自然,而是启于自然,成于心田,依心作花鸟,依物写乾坤,画里是技法,画外是文化。画人物有非常好的写生能力,生动传神,点睛能语,并且富有时代气息,亦有触人心田的正能量。画是画,画亦是精气神!唯有大手笔,方有用书画歌赋时代的才华,笔墨当随时代,冯先生的书画正是例证,也是典范!

著名书画评论家 史峰 2020年9月10日

Talent Ponds Inkstone Painting and Calligraphy

——Feng Jian'an, a famous calligrapher and painter

Calligraphy and painting refer to the same origin, which is the conclusion of Zhao Ziang, a famous scholar in the Yuan Dynasty. Therefore, the authentic inheritance of traditional calligraphy and painting culture is integrated into one, and becomes the main way for literati to cultivate themselves. In contrast, in the contemporary art world, the phenomenon that painters do not write calligraphy and calligraphers are not familiar with painting is almost a scandal. The divergence of painting and calligraphy has become the main reason for the decline of the gold content of painting and calligraphy culture. People expect that in the new era, there will be real literati who can still be the ancient and modern immortals of calligraphy and painting culture. Fortunately, when I met the works of Feng Jian'an, a famous contemporary calligrapher and painter, I was amazed by the authentic quality of traditional literati paintings! With his detached and profound traditional culture, Mr. Feng has the superior taste of gold painting and cotton calligraphy in both painting and calligraphy!

His calligraphy is rich and excellent, and all the books are well thought out, especially the cursive style of writing freely. With his pen and ink waving, the line of grass can express the true meaning of line art. One stroke of grass is like a winding dragon, and one stroke of grass is like a wandering phoenix. Through the ingenious combination of pressing and pressing, the calligraphy lines show the magic power of thousands of changes. Within a painting, it rises and falls on the tip of the edge, and between the points, it falls on the edge. Both mind and hand are smooth, smart and skillful, and the writing is as wonderful as nature, which cannot be achieved by force!

Mr. A has excellent calligraphy skills. If you want to make a painting, you will have the freedom to use calligraphy as a painting. The subject matter is very extensive, and the three gates of landscape, flowers and birds, and characters are all skillful. He is also an excellent expert who can do nothing in the painting world. It is precisely because Mr. Feng Jian'an is a master of all walks of life, so he was educated by the world's talents. He has been engaged in art education for decades. He has the merit and virtue of being a teacher and a model. It has its own painting skills, which can help the younger generation to become a talent, and the excellent painting can be taught. This is a rich source of cultural heritage, and also an important reason for your reputation and respect in the art world.

The characteristics of Mr. Shi's brush for landscape bone method are quite obvious. His pen is vigorous and calm, and his talent for creating meaning according to lines is particularly in place. The long line is outlined in one go. Short term setback, clear and effective. No matter long term or short term, there is a rigorous and meticulous organization, and we will never let a single line become a wandering soldier. To see the quality of Chinese landscape, the first thing to see is the exquisite brushwork. In your landscape works, you can't find a single line that is defective, nor can you see a single line that is weak. The strokes match each other to write a strange peak, and the strokes create a vast picture. The texturing method is changeable, the erasing method is harmonious, and the artistic attainments can just convey the spirit of the landscape, and also serve as the state of landscape skeleton.

The ink wash is repeated layer by layer, and the ink is accumulated to seven layers and eight layers, or even more than ten layers. It will never be a mess, either pure and beautiful, or green and moist and pleasing to the eyes. This method is far from normal. Later, it will learn from Gong Xian and Huang Binhong. Landscape painters, like Mr. Feng Jian'an, only rely on the water as a new button and make colorful paintings, which is a model of vivid charm. With green and light crimson colors, or with thick and heavy colors, we can build a dangerous peak for mountains and rivers in the process of color not hindering ink and ink not hindering color, and look down at the grand space of deep valley, so that we can learn from nature!

The talent lies in the inkstone field, and the calligraphy and painting are excellent. An inkstone field has a pen. Mr. A has the five talents of knowing water, brush, ink, paper and color. He can be a vivid flower and bird, or a vivid figure. His flowers and birds have a sense of reality in front of his eyes, but they do not simply copy nature, but are inspired by nature and formed in his heart. He makes flowers and birds according to his heart, and writes about the universe according to things. In his paintings, there are techniques, and outside his paintings, there is culture. The painting of figures has a very good sketching ability, which is vivid and vivid, can make the eyes touch and speak, and is full of the flavor of the times, as well as touching positive energy. Painting is a painting, and painting is also a spirit! Only with a big hand can we use the talent of the era of calligraphy, painting and song fu. The pen and ink should follow the times. Mr. Feng's calligraphy and painting are just examples and models!

Shi Feng, a famous critic of calligraphy and painting, September 10, 2020

健安的国画作品表现为新时代的艺术美,不管是花鸟画还是山水人物画包括其书法,都能表现出自己的艺术激情和笔墨技巧,给观者一种视觉上的炫丽。其创作的人物肖像最能见之笔墨的功底,他对生活的细致观察与人物内心的表达都能体现出他对艺术的追求和对艺术的热爱,并不仅仅是为艺术而艺术。而健安作为新一代的艺术创作与表现者,不仅能抓住时代的风貌,更能描绘出当代年轻艺术家自己的艺术姿态,在当代的艺术表现多样化和艺术个性化的当下,他是不多见的,这也是他对艺术创作的可贵之处。

Jian'an's traditional Chinese painting works show the artistic beauty of the new era. Whether it is flower and bird painting or landscape figure painting, including its calligraphy, they can show their artistic passion and ink skills, giving the viewer a visual dazzle. His portraits are the most visible brush and ink skills. His careful observation of life and the expression of the characters' hearts can reflect his pursuit of art and love for art, not just for art. As a new generation of artistic creation and expression, Jian An can not only grasp the style and features of the times, but also describe the artistic posture of contemporary young artists. In the current era of diversified and personalized artistic expression, Jian An is rare, which is also valuable for his artistic creation.

国画系列

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别具一格的诗意韵律和清气扑面的艺术气象

中国画发展至今,笔墨语言已经有了很大的拓展,运用笔墨之法渲染意境,以意表情,以意写景。是创作者艺术造诣、精神内涵的体现;从而表现出心中的艺术境界。中国画的写意性有着独特的审美价值,并蕴含着深厚的民族文化精神; 凸显的是人性精神与抒情、谴兴、恣意的创造性,重气韵生动,直抵心灵。书画就此而言,当代艺术家冯健安先生是一位风格鲜明、在书画创作方面有着独到的见解的艺术家。不论人物、山水、花鸟还是书法都有着丰富的生活内涵和民族文化意蕴,给人一种意趣潇洒、内涵丰富、淳朴中见秀美的意蕴风格,通过笔墨语言传达表现自己对人生的体验和感悟。

      写意是中国画的精神所在;所谓“意在笔先”,是创作者的感悟而倾注了主观“意”的成分。书画家冯健安先生正是在继承了传统的写意形式,汲取了传统的写意绘画经验,在当代文化语境中融古汇今。始终秉承传统文化和大自然的灵秀之气,把自己的修养、学识、志趣、理想融入创作中;坚持传统的进取路线和艺事作风,对书画艺术精神有深刻的领悟。从他的不同作品中可以看出,笔墨深耕于传统,韵味回归于古拙,以写意精神为本源,又以人文格调为灵魂,作品从内到外,从形到意,可谓皆有一股高逸之气循循而生!其布局精巧,气象淡远雅逸,一派简淡冲和、虚静空灵之美,体现出笔墨的古朴、典雅蕴藉的审美意趣;更多的是传统文人画所追求的恬静、闲适的品格。冯健安先生的画里,有笔法造型的丰富意象,写意语言的精神气韵,通过墨色的渲染,能感受到他的表情达意,心绪情感,领会于中国传统绘画的精致与意韵。通过作品,我们可以领略到冯健安先生那诗化的意境,自然物象已不再是被简单地再现,画面境界得到了拓展;其文学意蕴丰富了作品的内涵和情趣,达到了传统与现代、形式与内容的完美统一。将自然之景纳为胸中之象,又将胸中之象化为意中之境,突出了画面自然清新的格调,创造出一种以气取形,以形导韵,意境清幽的独特画境。

      冯健安先生在长期的创作中,始终坚持传统笔墨的意境表现,着意于传达灵动之美,展现出清新、焕然、大气的写意气象。他的笔下的人物,都有自己独特的相貌特征和性格禀赋,荡漾着浓郁的生活气息,保持简约、厚重、灵动、大方的整体感和高品位。对人物神情、形态、精神的点化极为精微细致、干净明快;结构工致细腻,造型准确优美,动静结合的韵律中,实现了整体的清新幽雅,由此而成的生活美学,创作出一系列展现东方传统文化之美。其艺术特点能够用水墨笔调把人物的形,韵,神融为一体的和谐;以朴素平实的艺术语言,述说着生动形象和笔墨意趣。同样,在花鸟意象的追求中,冯健安先生用笔简练、朴拙、有浓郁的现代气息,通过对感情的融合,让笔下的花鸟禽兽、牡丹、竹等在创作上独树一帜,具有较强的抒情性,充分表达内在思想与追求,是传统意象与现代意识的融合。让笔下的水墨、应景和谐构成丰富了视觉表现力,极妙地诠释了花鸟画中笔墨兼得的特点,展现平淡超逸之心境,营造出宁静悠远、天质趣意的气韵。

      观冯健安先生的山水画,至简至雅,旷远空灵;驰骋着他丰富的想象力 挥洒出了大自然的万千气象。在整体的诗意美与清新的韵致中,注重空间描绘与诗性的统一;简约,空灵,幽冥,有南派山水的温润秀丽,兼具北派山水的浑厚苍茫。观之有新风扑面之感;体现了传统美学、时代精神相融的特殊魅力;这无一不给人以悠远沉静的古雅之美。无论是笔墨上的运用,构图立意上的酝酿,无不尽显其对技法娴熟的把握、让每一幅作品都洋溢着不一样的时代感。这样的画面既有雄奇秀拔的高山气势,又不失唯美雅致,作品中充满着诗意与生机,让观者感受大自然的和谐与生动。

      书画是同源之道,是一体的艺术修养,冯健安先生有以书入画的内涵,也有以画益书的精彩,可显趣味和品位的修养支持。他在书法传统中求悟,悟中求道,得古人意趣于笔端,但重在会通古人之神、意,气。让书法中蕴含独特而新鲜的美感,既重视点画的刻意表现,更重视作品的内在表达,在笔墨线条中表达他的心灵艺术。精湛的作品是能打动人心的,通过画面形式,我们看到了冯健安先生心中深处的真诚与内涵,处处洋溢着生命的活力与风韵儒雅的艺术境界。在这里,我们汇集了冯健安先生的书画代表作和近年的新作,一起领略他别具一格的诗意韵律和清气扑面的艺术气象。

大众周刊总编撰写 202204

Unique poetic rhythm and artistic atmosphere

Since the development of Chinese painting, the language of brush and ink has been greatly expanded. It uses the method of brush and ink to render the artistic conception, express the emotion and paint the scenery. It is the embodiment of the artist's artistic attainments and spiritual connotation; So as to show the artistic realm of the heart. The freehand brushwork of Chinese painting has unique aesthetic value and contains profound national cultural spirit; It highlights the spirit of human nature and lyricism, desperation and unbridled creativity, which are vivid and direct to the soul. In terms of calligraphy and painting, Mr. Feng Jian'an, a contemporary artist, is an artist with distinctive style and unique views on calligraphy and painting creation. No matter characters, landscapes, flowers and birds or calligraphy, they all have rich life connotation and national culture connotation. They give people a kind of implication style that is interesting and unrestrained, rich in connotation, simple and beautiful, and express their experience and perception of life through ink language.

Freehand brushwork is the spirit of chinese painting; The so-called "meaning comes first in writing" refers to the subjective "meaning" that the creator has poured into his perception. Mr. Feng Jian'an, a calligrapher and painter, is exactly inheriting the traditional freehand brushwork form, absorbing the traditional freehand brushwork experience, and integrating the ancient into the modern in the contemporary cultural context. Adhering to the traditional culture and the spirit of nature, we integrate our cultivation, knowledge, interest and ideal into the creation; Adhere to the traditional enterprising line and artistic style, and have a profound understanding of the spirit of calligraphy and painting. It can be seen from his different works that the ink and brush are deeply rooted in tradition, the charm returns to the primitive simplicity, the freehand brushwork spirit is the origin, and the humanistic style is the soul. From the inside to the outside, from the shape to the meaning, the works are all born with a high spirit! Its layout is exquisite, the atmosphere is remote and elegant, and the beauty of simplicity, simplicity, harmony, emptiness and spirituality reflects the ancient simplicity and elegance of the brush and ink; More is the quiet, leisurely character that the traditional literati painting pursues. In Mr. Feng Jian'an's paintings, there are rich images of brushwork modeling and the spirit of freehand brushwork language. Through the rendering of ink, you can feel his expression, mood and emotion, and understand the delicacy and charm of traditional Chinese painting. Through his works, we can appreciate Mr. Feng Jian'an's poetic artistic conception. The natural images are no longer simply reproduced, and the picture realm has been expanded; Its literary implication enriches the connotation and interest of the work, and achieves the perfect unity of tradition and modernity, form and content. The natural scene is taken as the image in the chest, and the image in the chest is turned into the artistic conception, which highlights the natural and fresh style of the picture, and creates a unique painting conception of taking shape with air, guiding rhyme with shape, and the artistic conception is quiet.

In his long-term creation, Mr. Feng Jian'an has always adhered to the expression of the artistic conception of traditional ink and brush, intended to convey the beauty of flexibility, and displayed a fresh, glowing and atmospheric freehand brushwork atmosphere. The characters in his works all have their own unique facial features and personality gifts, which are full of life flavor, and maintain a simple, thick, flexible, generous sense of integrity and high taste. The expression, form and spirit of the characters are refined and refined, clean and bright; The structure is exquisite, the shape is accurate and beautiful, and the rhythm of dynamic and static combination realizes the overall freshness and elegance. The resulting aesthetics of life creates a series of beauty showing the traditional oriental culture. Its artistic characteristics can use ink and wash style to blend the shape, rhyme and spirit of the characters into a harmonious whole; With simple and plain artistic language, it tells a vivid image and pen and ink interest. Similarly, in the pursuit of flower and bird images, Mr. Feng Jian'an used simple, simple and unsophisticated pen with a strong modern flavor. Through the integration of feelings, he made the flowers, birds, animals, peonies, bamboo, etc. in his works unique and lyrical, fully expressing the internal thoughts and pursuit, which is the integration of traditional images and modern consciousness. It enriches the visual expressiveness by harmonizing the ink painting and scenery, perfectly interprets the characteristics of both ink painting and painting in flower and bird painting, shows a simple and elegant mood, and creates a quiet, remote and interesting atmosphere.

The landscape paintings of Mr. Feng Jian'an are simple, elegant, spacious and ethereal; Galloping his rich imagination, he brings out the myriad of natural phenomena. In the overall poetic beauty and fresh charm, it pays attention to the unity of space description and poetic quality; Simple, ethereal, and ghostly, it has the warm and beautiful landscape of the southern school, and the thick and vast landscape of the northern school. There is a feeling of fresh wind in the view; It embodies the special charm of the integration of traditional aesthetics and the spirit of the times; All of these give people the ancient and elegant beauty of long and quiet. Both the use of pen and ink and the brewing of composition and conception show their skillful grasp of techniques, making each work brimming with a different sense of the times. This kind of picture has both majestic and beautiful mountain momentum and aesthetic elegance. The work is full of poetry and vitality, allowing the viewer to feel the harmony and vividness of nature.

Calligraphy and painting are from the same source and an integral part of artistic cultivation. Mr. Feng Jian'an has the connotation of painting with calligraphy, as well as the cultivation support of painting to benefit the excellence of calligraphy, which can show interest and taste. He sought enlightenment in the tradition of calligraphy, and sought Tao in the process of enlightenment. He got the ancients' interest in writing, but focused on understanding the ancients' spirit, meaning and spirit. Let calligraphy contain a unique and fresh sense of beauty, which not only attaches importance to the intentional expression of stippling, but also attaches more importance to the internal expression of the work, and expresses his spiritual art in the lines of ink and brush. Exquisite works can move people's hearts. Through the form of pictures, we can see the sincerity and connotation in Mr. Feng Jian'an's heart, which is full of vitality of life and elegant artistic realm. Here, we gathered Mr. Feng Jian'an's representative works of calligraphy and painting and his new works in recent years to appreciate his unique poetic rhythm and artistic atmosphere.

Written by the editor in chief of Volkswagen Weekly 202204

近年吾于身体健康之时耕书戏墨,随已老墓残老,余书之力未尽。看了健安的书法作品后,有所欣慰,但更多的是为其投身于执教育人的品德为之感动。并从其书画作品中得以验证,笔法雄健有力,收放自然,兰亭序的表现充分了他的艺术作品继承传统,颇显功底。在用笔的徐迟、顿挫、章法、呼应等方面遵循书法艺术传统美之要点,展现其当代新文化工作者创作的艺术涵养与艺术特点。可按现有的艺术水准加以大下功夫,五十岁可见成效。

In recent years, when I was in good health, I cultivated books and played with ink. As I became old, I could not finish my calligraphy. After seeing Jian An's calligraphy works, I was gratified, but I was more moved by his character of devoting himself to education. It is verified from his calligraphy and painting works that the strokes are powerful and natural. The performance of Lan Tingxu fully inherits the tradition of his art works and shows his skills. It follows the key points of the traditional beauty of calligraphy art in terms of the slow and slow use, setback, organization and echo of the pen, and demonstrates the artistic self-restraint and artistic characteristics of its contemporary new cultural workers. We can make great efforts according to the existing artistic standards, and we can see results at the age of 50.

行、草书

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